Wolf’s Lair Makes the New York Times Home Section At Last

April 29, 2011 § 4 Comments

There was a beautiful spread on Moby’s $2 million renovation of Wolf’s Lair in the New York Times yesterday. The castle is not only restored structurally but redecorated in an understated and tasteful way.  I wouldn’t have expected anything less.

http://www.nytimes.com/2011/04/28/garden/28moby.html?_r=1

Albert Kothe: A German Immigrant’s Life in Hollywoodland, Part I

April 13, 2011 § 2 Comments

Straight Outta Hamburg/All Photos Albert Kothe Family Archive, courtesy Harry Williams, unless otherwise noted

Albert Hendrick Kothe was born in Hamburg, Germany in 1893. After World War I, he made his way to America and settled in Los Angeles, where he found work and a new home in Hollywoodland. Like so many Canyon residents, Kothe lived out his life here, in the process becoming a neighborhood fixture, a Zelig-like figure–and something of a local legend.

Kothe's Employee Card in Hollywoodland

Albert Kothe in his Youth, Undated

 Albert Kothe may or may not have helped to build the Hollywoodland Sign, but he certainly was its caretaker upon its completion in July, 1923.  His job, which probably lasted until 1939, was to change the 4,000 lightbulbs that lit the Sign at night, a Sisyphusian task for which ladders were kept permanently propped against the Sign’s back. Though Kothe undoubtably spent a great many daylight hours on Mt. Lee, he didn’t actually live there. (The myth that Kothe “lived in a shack behind the first L” is so pervasive that Leo Braudy repeats it in his new book The Hollywood Sign [Yale University Press, 2011] Oops.) Although there was a shed behind the Sign, it housed lightbulbs and other equipment, while Kothe resided in a cabin at the north end of Beachwood Drive. (The cabin was probably built for the foreman of the stonemasons who built the Hollywoodland walls and stairs from 1923-25. The stonemasons lived in adjacent tents.) The cabin, which was torn down for houses 50 years ago, looked like this:

Kothe's Cabin/Courtesy Lamonta Pierson

When the Hollywoodland Realty Company stopped maintaining the Sign in 1939, Kothe found work at Wolf’s Lair, a house large enough to require a full-time handyman. Kothe’s employment by Bud Wolf has satisfying parallels in literature and movies, for the two men at first glance were polar opposites: Wolf a rich, companionable bon vivant; Kothe a poor laborer and lifelong bachelor. But in truth, they were flip sides of the same coin–uncompromising, somewhat eccentric men who discovered their niche in Hollywoodland, and stayed. 

Next time: Kothe’s latter years–and automotive adventures.

Wolf’s Lair: Bud Wolf’s Storybook Castle in Hollywoodland

January 4, 2010 § 13 Comments

Wolf's Lair/All photos by Hope Anderson Productions

Chief among the misconceptions about Wolf’s Lair, the beautiful Loire-style castle on Durand Drive, is that its name has something to do with wolves; certainly the wolf’s head placard on the front gate implies it. Nevertheless, Wolf’s Lair was named not for the animal but the man who built it:  Bud Wolf.   

Wolf was a real estate developer; he also owned the Texaco station that stood on the site of Beachwood Market’s parking lot. As lord and master of Wolf’s Lair, he also may have been the archetypal early Hollywoodlander: an eccentric bon vivant. When not at home in his splendid turreted mansion with views of Lake Hollywood, the Hollywood Sign and the Observatory, Wolf enjoyed playing golf and driving his gull-wing Mercedes. He had a mistress named Diane. (His wife suffered from mental illness.) He employed the alcoholic former caretaker of the Hollywoodland Sign as a full-time handyman. He also kept an exotic pet: a gibbon whose howls ricocheted around the canyon. The gibbon lived in a tree during the day; at night he supposedly retired to a room in one of the turrets.   

Wolf’s Lair is notable not only as a fine example of the French château architecture that was the rage in Hollywood during the 1920’s but as an example of mid-century architecture as well, as Wolf later commissioned a guest house by the architect John Lautner. Although the exterior resembles a plainer version of the main house, its interior is pure Lautner, with wood-beamed ceilings, stone pillars and lots of glass. The guest house is one of three commissions John Lautner designed in Beachwood Canyon, the most famous of which is the glass-fronted addition of Beachwood Market, built in 1952.   

Wolf’s Lair’s western facade. Lautner’s guest house is at left.
Beachwood Market’s Lautner addition, at right.

   

Until I went up to Wolf’s Lair the other day to take pictures of its neighbor, Castillo del Lago, I hadn’t realized it too was for sale. (How long has it been since both lakeside mansions were on the market simultaneously?)  Price:$4.695 million, for 3.3 acres, 8 bedrooms, six baths, a pool and gardens. And the most enormous stone walls imaginable, from granite quarried in Bronson Canyon. (Agent: Ernie Carswell, Teles Properties) 

Even by the fairytale standards set by Hollywoodland’s developers, Wolf’s Lair’s charm is exceptional. At once massive and delicate, it rises above Lake Hollywood like something out of a dream.   

I am grateful to Harry Williams for biographical information about Bud Wolf. 

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