New Year, New Forum

Twelve years have passed since I began writing Under the Hollywood Sign. Conceived to promote my documentary of the same name and to further explore Hollywood history, UTHS soon grew to include my previous documentaries, magazine work and interviews. It also spawned two collections of essays. As time went on, my focus shifted to other people’s films, books and TV shows. I also wrote visual art, architecture and Japan, where I grew up, and its rich popular culture. All of this has been a labor of love, and hundreds of posts and pages later it’s time for me to try something new.

Beginning today, I’ll be writing on Substack. In addition to regular posts, subscribers will have access to my other writing–longer non-fiction and fiction–as well new projects, literary and cinematic. Subscriptions are $5 per month, and the link is below. I look forward to seeing you there.

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Give the Gift of Documentaries: Under The Hollywood Sign’s December Two-For-One Sale

“Jim Thompson, Silk King”/Copyright 2015 Hope Anderson Productions

Curious about the documentaries that inspired this blog? Here’s a good chance to see them at a bargain price, and to give them as holiday gifts. From now until January 1, 2021, each purchase of a full-length documentary on DVD will include a free companion documentary. Each order of “Under the Hollywood Sign” will come with “Peg Entwistle: The Life and Death of an Actress”, while each order of “Jim Thompson, Silk King, 2015 Edition” will come with “The Jim Thompson House and Art Collection.”

This offer does not apply to digital downloads. To order, please go to: http://www.hopeandersonproductions.com/dvds/

Under the Hollywood Sign, Ten Years On

Interviewing Anita Gordon at the Bronson Caves, November 2006. l-r: Tjardus Greidanus, Hope Anderson, Anita Gordon, Ken Pries/Hope Anderson Productions

This week marks the tenth anniversary of this blog, which I started to promote my third documentary feature film, Under the Hollywood Sign. At that point, UTHS was in post-production, and my editor Kate Johnson and I were shaping scores of interviews, around eighty hours of footage and hundreds of archival images into a cultural history of Beachwood Canyon.

Wanting to explore the film’s many topics in greater depth, I wrote about the Theosophists, film stars and oddball characters who populated the Canyon in the early 20th century. I described Beachwood’s natural beauty and wildlife, and the California holly that blooms in the hills each December. I detailed the creation of Hollywoodland, California’s oldest hillside planned community, from its granite walls, gates and stairs to its most famous features: the Hollywood Sign and Lake Hollywood.

After exhausting Beachwood Canyon’s history, I moved on to present-day matters. By then neighborhood was becoming a mecca for GPS-guided tourism, and between 2010 and 2015 the number of visitors in search of the Hollywood Sign surged. Crowds overwhelmed the narrow streets, eroded the trails and drove the wildlife back into Griffith Park. Hollywoodland’s narrow streets, tricky to navigate in the best conditions, became chaotic and frequently gridlocked. Until permit parking was instituted a couple of years ago, residents were frequently trapped in or out of their houses by vehicular and pedestrian traffic that also blocked emergency vehicles. Writing about these issues brought me a slew of hostile comments, the gist of which was our right to use your neighborhood for recreation trumps your right to live here. Long after I stopped writing about local issues, angry and even threatening letters continued to roll in.

These days I write mostly about film–not mine but other people’s. I also write about Japan, where I grew up and whose history and culture I’ve studied for most of my life. As for documentary filmmaking, I’ve stopped. I’ll explain why in my next post.

Merry Christmas from Under the Hollywood Sign

Thanks for reading this blog, which I began nearly six years ago to promote my work; it has been a labor of love. Nevertheless, if a fraction of the hundreds of thousands who’ve read my posts and pages would watch my films or read my ebooks, I’d be much happier. The documentaries are available for sale (via DVD or Vimeo download) or rent (via Vimeo); the ebooks are available from Amazon, Barnes and Noble and other ebook sellers. All are linked through my website http://www.hopeandersonproductions.com

Films:
Under the Hollywood Sign
Peg Entwistle: The Life and Death of an Actress
The Jim Thompson House and Art Collection (available on DVD; downloadable in 2015)
Jim Thompson, Silk King (New edition coming on DVD and download in 2015)

Ebooks:
Peg Entwistle and The Hollywood Sign
On Blade Runner: Four Essays

My Documentary Feature, “Under the Hollywood Sign,” Is Now Available On Demand

Poster by Nathan Church/ Copyright Hope Anderson Productions

The documentary that inspired this blog is now available as a download, either for purchase ($18) or rent ($5). Under the Hollywood Sign explores the history and present-day life of Beachwood Canyon in historical pictures, new footage and interviews. Here’s the link:

https://vimeo.com/ondemand/uths

To purchase a DVD, please go to: http://www.underthehollywoodsign.com

Reviving Bananas in Beachwood Canyon

Banana Tree/Photos by Hope Anderson Productions

Last October I wrote about Beachwood Canyon’s early 20th century fame as a producer of bananas, avocados and pineapples. (https://underthehollywoodsign.wordpress.com/2011/10/04/bananas-of-beachwood-canyon-and-los-feliz/) J.B. Rapp’s Farm, located near Franklin Avenue and Gower Street, was the first place in the continental United States to produce such exotic crops commercially, and there is no reason to it wouldn’t have continued to do so if land values had stayed low. But Hollywood’s rapid transformation–first into a garden suburb of Los Angeles, then the center of the movie industry–caused land values to rise dramatically after 1900. By 1920, Hollywood was a city, its recent agrarian history remembered mainly in old photographs of farms and orchards, and by its street names–Orange Grove, Lemon Grove, Cherimoya and Tamarind.

For the Theosophical Society, Beachwood Canyon’s mild, frost-free climate was the deciding factor in its relocation here in 1911. The Theosophists wanted nothing less than to create a new Garden of Eden, and their colony, Krotona, was dotted with gardens. After the Theosophists moved to Ojai in 1926, their gardens became houses, forgotten except for a map and a few photographs.

Recently I decided that my living room needed a better view, so I planted four banana trees with red-green fronds outside. They instantly provided shade, color and movement, transforming the house as well as the hillside on which they were planted. Watching the fronds wave gracefully in the breeze has been a respite for me in an otherwise vacationless summer.

Because I was focused on appearance, I chose trees that produce a flower but no edible fruit. But my next purchase will be a fruiting banana–if possible the Lacatan, which produces small, creamy-textured bananas with red skins. (I don’t like the Cavendish, the yellow banana that has been the world’s commercial crop since the 1930s, but know it will grow in Southern California.) In time, I hope to have a small grove of banana trees–a living reminder of what the Canyon once was.

Beachwood Canyon in the 1940 Census, Part IV: Familiar Names and Addresses

The 1940 Census is numbered sequentially only to a point; it jumps from street to street on any given page, making the search for specific names and addresses time-consuming and difficult. Fortunately, I’ve been able to locate some of the notable Beachwooders who appear in my documentary “Under the Hollywood Sign.”

First among them is Charles Entwistle. After the actress Peg Entwistle’s suicide off the Sign in 1932, her adoptive parents–her paternal Uncle Charles and his wife Jane–remained in their house, which still stands, at 2428 N. Beachwood Drive. In 1940, Charles was 75; Jane was 55. Both were retired from their acting careers, listing no occupation or income on the Census. The other resident of the house was their younger nephew Robert Entwistle. At 21, he was working as a bookkeeper in a bank and earning $898 annually, $14,758 in today’s terms. His older brother Milt was not listed; at 23 he had left the household, possibly for the Navy, in which he served during WWII.

The Entwistle Family, line 12/All photos courtesy http://www.the1940census.com

A half-mile southwest of the Entwistles lived the Theosophists Henry Hotchenor, aged 58, and his wife Marie, aged 69, at 6139 Temple Hill Drive. Marie Russak Hotchenor, the architect of Moorcrest, also designed their Moorish-Spanish stucco house, which stands directly across the street from Moorcrest. Interestingly, Henry listed his occupation as “manager of own real estate,” while Marie claimed no occupation.

The Hotchenors, line 60

Finally Albert Kothe, caretaker of the Hollywood Sign and Wolf’s Lair, appears at the address where he lived from the mid-1920s until about 1960, when his dwelling was torn down: 3200 N. Beachwood Drive. His home, a foreman’s cabin dating from the days when Hollywoodland’s stone masons lived in tents on the property (1923-1925)–was located at the northern edge of Beachwood Drive, where the dirt road to Sunset Ranch begins. The certainty of his address should lay to rest the enduring myth that Kothe “lived in a shack behind the Hollywood Sign.” In the Census, Kothe listed his occupation as laborer for a private employer; he earned $800 a year ($13,148 today).

Albert Kothe, line 76

Background information about the Entwistles, Hotechenors and Mr. Kothe can be found in previous posts.

The Pineapple Tract of Beachwood Canyon

Clausen's Ranch, which includes the future Krotona Hill, c. 1895/All photos courtesy Los Angeles Public Library, Security Pacific Collection

While doing research for my documentary “Under the Hollywood Sign,” I found my way to the Los Angeles City Archives, which keeps bound volumes of the many laws enacted by Hollywood during its brief period (1903-1910) as an incorporated, self-governing city. While I was there, I also studied early 20th-century Hollywood maps, and was fascinated to see the area north of Franklin between Beachwood and Gower labeled “The Pineapple Tract.” 

The name refers to the tract’s former incarnation as the farm of J.B. Rapp. (See photo below.) He began as a lemon grower but expanded into more exotic fruits–dates, avocados and pineapples, among others. Although it is likely that these fruits had their origins on local ranchos, Rapp was among the first to grow them commercially. At a time when oranges and lemons were rare delicacies for most Americans, pineapples and avocados must have caused a sensation.

Hollywood’s frost-free climate made the cultivation of these crops possible, but it took vision to grow things for which there was little apparent demand. Rapp succeeded on several levels: he grew and created a market for exotic fruits, while in the process enhancing Hollywood’s reputation–and property values–as an American Garden of Eden. Among those drawn by the promise of year-round fresh produce was the Theosophical Society, which established itself  just north of the Pineapple Tract in 1911. In a letter to Annie Besant, A.P. Warrington, head of the American Branch, rhapsodized about the Canyon’s farming potential:

We can make the spot a veritable Garden of Eden, because….the region we have chosen happens to be one of those rare spots that are [sic] absolutely frostless, and so we can raise anything….

Unbeknownst to Warrington, Beachwood also boasted thin soil and an abundance of produce-devouring wildlife. This may explain the fact that the Krotona Colony’s map shows several ornamental gardens and a decided lack of farm plots. As a resident whose efforts to grow vegetables have been thwarted by squirrels and tree rats, I sympathize.

Next time: bananas!

Pineapples on J. B. Rapp's Farm/Courtesy Tommy Dangcil, Hollywood 1900-1950 in Vintage Postcards

 

Related articles:

https://underthehollywoodsign.wordpress.com/2010/11/27/the-agrarian-origins-of-beachwood-canyon/

https://underthehollywoodsign.wordpress.com/2010/12/10/beachwoods-earthly-paradise-the-lost-gardens-of-the-krotona-colony/

The Krotona Colony’s First Session: A Photographic Discovery

First Session/Courtesy Krishnamurti Foundation

The photograph above depicts the opening assembly of the Krotona Colony in 1912.  It appears in Joseph Ross’s  Krotona of Old Hollywood, Vol. I  (Montecito: El Montecito Oaks Press, 1989) as well as in my documentary, “Under the Hollywood Sign,” and seems to represent the ideals and aspirations of Beachwood’s new utopia. A heavily female, racially integrated group sits politely in the Colony’s amphitheater, facing the stage–but who was on it?

First Session/Courtesy Augustus Knudsen Archive, Kauai Museum

The answer was a mystery until I came across this photo in the Augustus Knudsen Archive of the Kauai Museum and recognized it as a photo from the same event. According to the notation on back, Knudsen (at the tree stump podium) was the first speaker.

Thanks to Eric James for the cleanup on the first photo.

Here’s a link to a new book on Krotona by Joseph Ross:  http://www.amazon.com/Krotona-Theosophy-Krishnamurti-Theosophical-California/dp/0925943150/
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For more about the Krotona Colony, purchase the documentary “Under the Hollywood Sign” at http://hopeandersonproductions.com/?page_id=3361
The film is also available for rent at https://vimeo.com/ondemand/uths

A New Home in the Hills: Augustus Knudsen in Beachwood Canyon, 1916

The Knudsen House on Vista del Mar Avenue, Hollywood

Augustus Knudsen outside his house, 1916/All photos courtesy Kauai Museum, Augustus Knudsen Archive

In 1916, the Krotona Colony was in its fifth year–and an established institution by the standards of Hollywood, then in its infancy. Augustus Knudsen’s position as a leading member of the Theosophical Society was underscored by the impressive house he commissioned in 1914 from the San Francisco firm of Mead and Requa. Interestingly, Anne Sinclair Knudsen, Augustus’s widowed mother, was the client of record, a clear indication that she funded the construction of her son’s new home. Located at 2117-2121 Vista del Mar Avenue, the house is now an apartment building, and very different in appearance.

Knudsen by the Arcade at the South End of the House

The photo below was taken not at the house but the Lotus Pond, a Krotona landmark that was located just west of Temple Hill Drive.

Augustus Knudsen at the Lotus Pond, 1916

Additional Source:

“A Survey of Surviving Buildings of the Krotona Colony in Hollywood,” by Alfred Willis. Architronic, 1998.
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For more about the Krotona Colony, purchase the documentary “Under the Hollywood Sign” at http://hopeandersonproductions.com/?page_id=3361
The film is also available for rent at https://vimeo.com/ondemand/uths