July 23, 2010 § Leave a comment
At some point in her incendiary silent film career, Clara Bow lived at the top of Glen Green, in a house not visible from the street. Old timers in Beachwood still refer to it as the Clara Bow House, even though it has long been the home of a well-known person who would prefer not to be named. From his description, it seems likely the house was built for a member of the Theosophical Society, or one at least acquainted with its iconography. Seances and wild parties are rumored to have taken place in the house during its early years; later, later, during the 1960’s, the house was rented to the Monkees. There used to be a salt lick for the deer who wandered through the property, and a woman who lived next door remembers petting them from her window.
But back to Clara Bow, possibly the most gifted actress in early film. Physically graceful and effortlessly comedic, she had no need for the mannerisms of silent film–exaggerated hand gestures, vamping and moony gazing. Her technique was naturalistic and modern, so much so that she could give today’s actresses reason to worry. This clip not only proves it but shows why she was called the “It” Girl: http://www.youtube.com/watch?v=Dxo_99eaEEA&feature=related
Bow arrived in Hollywood in 1923 after beginning her movie career with rave reviews in “Down to the Sea in Ships” (1922). Named a WAMPAS Baby Star, she an overnight sensation in silent comedies. Then in 1927 came the twin releases that would seal her reputation as an actress: “Wings,” and “It.”
By the age of 22, Bow had the world at her feet–yet she was feared and rejected by her peers in Hollywood. Her impoverished, abusive upbringing proved impossible overcome; even by the louche standards of the movie industry, she was disreputable. Bow’s acting career was over by 1933, not so much because of the advent of talkies as her reputation for instability. Fortunately, her retirement had a reasonable excuse: she was newly married to Rex Bell, the cowboy actor who would later become Lt. Governor of Nevada, and starting a family.
Like most actors of the time, Bow moved house a lot. During the 20’s, she lived in Whitley Heights and Laurel Canyon; later accounts place her in Beverly Hills and West Los Angeles. Oddly, I’ve found no written confirmation of her time in Beachwood Canyon, though it seems unlikely that anyone would refer to the Clara Bow House without reason. It makes sense that she would have wanted to live in a neighborhood favored by fellow actors such as Charlie Chaplin, Pola Negri, Douglas Fairbanks and Norma Talmage. But their evident disdain also might have prompted Bow to move on.
December 5, 2009 § 2 Comments
Charisse Landise is a Beachwood Canyon resident and clairvoyant healing artist with a keen sense of the supernatural. We first met three years ago when I interviewed her on the significance of the Hollywood Sign for my documentary; since then we’ve talked periodically about Beachwood Canyon’s history and notable past residents. It was Charisse who had the vivid dream about Peg Entwistle described in Part I of my Haunted Hollywoodland series.
After I posted a piece on Busby Berkeley (“First House North of the Gates: Busby Berkeley’s Home in Hollywoodland”), Charisse called me to tell me about an incident that happened last November, when she was working out of the day spa above Hollywoodland Realty in Beachwood Village.
It was late afternoon but already dark when she arrived for a session and saw a male apparition sitting in the courtyard outside the Realty Office. He appeared to be in his late thirties and was dressed in narrow old-fashioned trousers and a top hat. He carried a cane.
Though Charisse didn’t recognize him, she felt he was waiting for her. Unable to get any answers about his identity or motives, she went upstairs to meet her client. Once inside, she felt his presence in the spa.
“He was definitely there as a curious witness,” Charisse says. “He was extremely fascinated with my healing procedure. I had the sense he had never seen anything like it. He was very unthreatening. I was challenged by the unexpected nature of his steady watchful presence.” The ghost observed her throughout the session and stayed behind after she locked up.
“I didn’t know that was Busby Berkeley’s house next door until I read your blog, but I’m sure it was him,” she said. Unlike the house, whose entryway is now hidden behind a gate, the Realty Office remains open to the street, as it was in Berkeley’s time. The fact that the ghost appeared to be in his late thirties seems appropriate, as Berkeley was at the height of his success during those years. And a top hat and cane would be obvious props for a choreographer of movie musicals featuring scores of top-hatted, cane-wielding dancers.
“Ultimately I was so grateful to have met him,” says Charisse. “His movie ’42nd Street’ was why I moved to New York City when I was 18.”
Contact www.charisselandise.com for further information.
November 22, 2009 § 10 Comments
Sunset Ranch occupies a hilly space at the north end of Beachwood Drive, where the Canyon meets Griffith Park. Although many people know it as a riding spot, few realize the ranch predates Hollywoodland, the 1923 housing development that abuts it. Before the property was developed by a real estate consortium headed by Harry Chandler, all of Hollywoodland was ranchland.
Unsurprisingly, horses were a big part of early Hollywoodland’s appeal. Residents of the new neighborhood were to have the best of both worlds: a peaceful country life and easy access to urban jobs and amusements. A radio ad outlined a typical day for Hollywoodland homeowners:
Listen–the horses are stamping in their stalls-the sea breeze kisses the hilltops-while the birds weave melodies of happiness on the open trail. Your day in Hollywoodland-in-California begins with a song, and for a brief hour you canter on the wings of the morning–a shower-breakfast-and away for a day at the office, to return at eventide to the calmness of the hills, and there below you, watch a myriad of millions of lights twinkling in the distance.
Residents also enjoyed a clubhouse and tennis courts near the north end of Beachwood Drive, where some sixties-era houses now stand. A jitney running from Beachwood Drive to the trolley stop at Franklin and Argyle ferried residents back and forth, a necessity in the days of one-car families. Though the clubhouse faded away during the Depression, limited car service from the Village bus stop to houses up the hill continued into the 1950’s.
Subsequent decades brought new construction, more residents and through traffic as Canyon Lake Drive connected Beachwood Canyon to Toluca Lake. Through it all, only Sunset Ranch remained unchanged, offering trail rides, boarding, horses for movies and itself as a shooting location.
Its most famous recent appearance was in David Lynch’s “Mulholland Dr.” The scene in which the Cowboy delivers an ultimatum to the young movie director, Adam Kesher (Justin Theroux) is both surreal and frightening, as Adam drives his Porsche up a darkened Beachwood Drive, parks and enters a paddock lit by a single flickering bulb.
In 2006, I spent part of an afternoon shooting interviews and B-roll at the Ranch for my documentary, “Under the Hollywood Sign.” While the Ranch is not as scary in daylight as it was in “Mulholland Dr.,” it is believed to be haunted. I had already heard stories of a “weird, dark energy” from someone who spent a lot of time there as a child, but I didn’t have time to investigate because we were on a tight schedule. (I’d paid a $500 fee to shoot for two hours.)
My first inkling that it wasn’t going to be an easy afternoon was when my previously booked interviewee, a Ranch employee, got a serious case of cold feet and tried to back out. Somehow I persuaded her to go through with the interview and eventually coaxed an amusing story from her, about some clients on the dinner ride who, after too many margaritas, had a hard time staying on their horses. An employee overheard this and reported back to the manager, who sent an emissary to inform me that I couldn’t use the story and moreover that he would have to see a rough cut to “approve” the interview.
The manager soon appeared to give me the bum’s rush, claiming we would have to leave because another production company was coming to scout. I didn’t understand why that would be a conflict– location scouting and shooting occur there constantly–yet I sensed there was no point in arguing. We did another quick interview and left early, but not before I sent word that I would not be using the first interview. (The only interesting thing in it was the offending story and besides, I don’t let outsiders see rough cuts.)
Much later, I interviewed a former Sunset Ranch riding instructor who told me of spending the night in one of the rooms over the barn and hearing a man being hanged, along with choking sounds and the vibration of the rope. This was consistent with the Romeo-and-Juliet story I’d heard about a 16-year-old Mexican boy who worked at the ranch in the 1920’s. He fell in love with a Hollywoodland homeowner’s daughter and she with him, but it was an impossible situation given their class and ethnic differences, as well as the mores of the day. Despondent that he could never be with his true love, the boy hanged himself in the breezeway between the stalls.
Then there’s the strange, wafting scent of gardenias each autumn. Riders and ranch employees report smelling gardenias on the trails in mid-September, near the anniversary of Peg Entwistle’s suicide off the Hollywoodland Sign. No gardenias grow in the area, but Peg wore gardenia perfume.
On December 26th, 2007– a night when 90 mile-an-hour winds uprooted a stand of 70-year-old Torrey pines on Woodhaven Dr., just above the village–the Ranch was involved in a freak riding accident. The circumstances were these: an engaged couple had booked a private dinner ride for that night. It was a birthday gift from the man to his fiancee, a romantic night ride for the two of them, led by a guide. Though the woman an inexperienced rider, the guide inexplicably put her on a new, skittish horse; despite high winds, they set out for Toluca Lake. When the guide moved to the front along the narrow passage between Mt. Lee and Mt. Hollywood, the horse bolted, set off by the winds. The woman fell off ; despite her headgear (all riders at Sunset Ranch are required to wear helmets) she suffered a cerebral hemorrhage and never regained consciousness.
Her grief-stricken fiance returned every night for two weeks to mourn at the place where she died. Although her parents filed a huge lawsuit against the ranch, accounts of the accident and the eventual settlement were somehow kept out of the news.
Sunset Ranch is understandably sensitive about its image, but the management’s efforts to censor bad news–and even a little story about dinner riders and margaritas–makes one wonder whether transparency might a better tactic. After all, secrecy can only underscore the impression that the Ranch is mysterious, haunted and possessed of a “weird, dark energy.”
November 7, 2009 § 1 Comment
Several years ago I met a woman who had unwittingly rented a haunted apartment in an old building on Hollywood Boulevard. After a month of torment by voices and things flying around the room, she moved out. Her theory was this: “A lot of people came to Hollywood to be in the movies and when things didn’t work out, they killed themselves.”
Hollywoodland has its fair share of paranormal activity too, but it seems to have to do less with tormented souls than people who liked living here and don’t see the need to move out simply because they’re dead. (See my previous piece on Felix Adler.)
My closest encounter with Hollywoodland’s spirit community came in 2006, soon after I moved in, when neighbors invited me to see their castle-like home. A monument to storybook architecture, the four-story house features crenelated towers and numerous balconies. Like most of Hollywoodland’s original houses, it has enormous walls of granite quarried in Bronson Canyon and a fairy tale atmosphere.
It was a very hot 4th of July; as the house was not air-conditioned, the many rooms I toured were uncomfortably warm. The notable exception was the library, which was at least 15 degrees cooler than the rest of the downstairs and probably 25 degrees cooler than the upstairs. Cool air flowed from an unseen vent, prompting me to comment on the room’s air conditioning.
“It’s not air-conditioning,” said one of my hosts.
I had already heard about the female ghost flying down a hallway toward one of them when they moved in. A mysterious figure in 1920’s clothing, she made periodic appearances until they renovated the library, which originally was so frigid that the carpenter wore a down jacket to do the work, until he quit out of fear. The owners finished the job themselves, after which the place warmed up considerably.
The ghost didn’t entirely disappear, however, because she took a liking to one of the owner’s visiting sons. The teenager would wake up in the morning to find small gifts–previously unseen silver spoons, napkin rings and lamp finials–on his bedside table, a pattern that continued after he started bolting the door from the inside. The spoons and napkin rings were engraved in a feminine font with three initials. My hosts had made a collection of the objects and showed it to me.
By then the ghost had stopped her visits. Perhaps because the boy had grown up, there were no more unexpected trinkets left in the night. The owners speculated the ghost was the original owner, perhaps a murder victim (they’d found a stain in the garage), but old newspapers turned up no accounts of a crime.
Because the house looks like an English castle rather than a Mogul palace, I walked by it hundreds of times before realizing it had been built for Theosophists. The cut-outs of crosses on the garage doors seemed merely decorative before I noticed, high on one of the towers, red lotuses on the stained glass windows and Moorish arches outside them. As far as I know, the castle is one of two Theosophist houses in Hollywoodland; all the others are below the gates, the bulk of them in the southwest corner of the Canyon, where the Krotona Colony was located.
The occult fads of the late-nineteenth and early twentieth centuries appealed to Theosophists and early Hollywood film stars alike, as both groups searched for existential answers. More than one Beachwood resident has told me stories of seances held during the teens and twenties in certain houses that have unexplained events to this day. And a psychic who lives in the Canyon has had vivid dreams about Peg Entwistle, who said in one, “There’s more life after death than you can imagine.”
October 2, 2009 § 1 Comment
The seance–Victorian ladies and gentlemen gathered around a table to speak to spirits through a medium–is a cliche of countless movies and old photographs. But it was also a huge fad throughout the western world during the second half of the nineteenth century. Modern seances are generally attributed to the Fox sisters of upstate New York, whose recounting of their communications with a household spirit led them to popular stardom.
Seances fascinated not just social outsiders and the bereaved but people of all socio-economic backgrounds and educations. The Society of Psychical Research, founded in England to investigate “allegedly paranormal phenomena using scientific principles,” counted among its members William Gladstone, John Ruskin and William James.
Helena Petrovna Blavatsky (1831-1891), a founder of the Theosophical Society, not only found seances appealing but practiced them to great effect before audiences in New York and Adyar, India, where she moved the T.S. headquarters in 1979. The conjuring of spirits drew potential converts to Theosophy; Blavatsky in turn gave seances an intellectual sheen by investing them with Theosophy’s mix of Western philosophy and Hindu and Jewish mysticism. According to Matthew Mulligan Goldstein, Blavatsky’s injection of intellectualism “turned spiritualism away from what had seemed in the 1850s its anti-authoritarian, anti-institutional direction, and set [it] on a path toward hermetic elitism.” (www.victorianweb.org)
So sensational were Blavatsky’s Adyar seances that the Society for Psychical Research sent Richard Hodgson to investigate in 1883. When he reported back that her spirits were conjured from bedsheets, mirrors and the like, Blavatsky was discredited. In 1885 she moved back to London, where she spent her remaining six years writing The Secret Doctrine, her spiritual masterpiece. She also found time to convert the woman who would succeed her as the leader of the Theosophical Society, the feminist and political radical Annie Besant.
In the Krotona Colony, seances seem to have had a divisive effect, since some Theosophists practiced them while others did not. They also seem to have alienated some potential converts–people who were drawn to the intellectual power of Theosophy but not its occult aspects.
Beachwood Canyon has a number of buildings that are said to be haunted; some of those were part of the Krotona Colony. Whatever one thinks of seances, it’s hard not to wonder about the relationship between occult rituals and paranormal phenomena.
In a future post, I’ll return to the subject of Beachwood’s haunted houses.