September 12, 2017 § Leave a comment
In the years since our interview, Hargobind married, closed his business and moved with his wife Dalveer to New York. Soon afterwards, he was diagnosed with brain cancer. The last time I saw him was in 2015, during a visit to Los Angeles while he was in remission. More surgeries followed, and today he came to the end of his life after a brave two-and-a-half year battle.
Though he became a New Yorker, I will always think of Hargobind in Hollywoodland, a place he loved. In addition to local history, he learned about the wildlife and was able to identify birds by their calls. He led so many people up the Hollywoodland stairs that he grew noticeably thinner and more muscular, yet he was always respectful of us residents. I was lucky to be among his and Dalveer’s friends, a group that spans the world and today remembers him fondly.
April 9, 2017 § 1 Comment
Those who’ve seen my documentary, “Under the Hollywood Sign,” will remember my interview with the musician Alan Brackett, a longtime Hollywoodland resident who also contributed the song that accompanies the end credits. Brackett has just published an illuminating memoir, Almost Famous: Journey to the Summer of Love, about his early life in Santa Barbara, where he was a child performer, and his subsequent musical career in Los Angeles during the 1960’s.
“I believe I helped kill [folk music] with…over-exposure,” he writes refreshingly. Brackett isn’t kidding: before founding the seminal psychedelic band the Peanut Butter Conspiracy, he was a successful folk musician, most notably in the Hillside Singers, a quartet that toured the country during the height of the folk craze in the early 1960’s, when he was still a teenager.
The other reason for folk’s demise, of course, was the British Invasion, whose seismic influence Brackett grasped as he enlisted in the Marines in 1964, ahead of being drafted. After six months of service he returned to a changed world, musically and socially: the 60’s had begun in earnest. His new band (first called The Young Swingers, then The Ashes) played rock, and after a few more incarnations and personnel changes became the Peanut Butter Conspiracy in 1966. The band signed with Columbia, cut an album and quickly became famous. Brackett, who played bass, was its main songwriter.
PBC had a woman as its lead singer, Barbara “Sandi” Robison, which probably contributed to its rivalry with the Jefferson Airplane, which was led first by Signe Anderson and then Grace Slick. (Beyond that fact, the Airplane’s drummer, Spencer Dryden, had been a member of The Ashes.) In an affecting aside, Brackett talks about manager Bill Graham’s reaction to the PBC’s getting better reviews than the Jefferson Airplane did: he kept the band off any bill that included the Airplane, effectively cutting off the PBC’s chances to play festivals and large venues across the country.
While “Almost Famous” will appeal most to those who remember the Peanut Butter Conspiracy and its heyday, anyone can appreciate the whirlwind atmosphere of the late 1960s music scene. Within a few months of its founding, the PBC not only had a major label recording contract but was billed with every famous band and musician of the day. The Doors, the Association, Iron Butterfly and the Byrds are a few of the bands Brackett knows well, and Bob Dylan, Janis Joplin, Elvis Presley and Frank Zappa enliven his anecdotes. His memories are all the more affecting because many of these musicians are gone, along with the Los Angeles they inhabited so brightly.
“Almost Famous” has some drawbacks: it’s heavy on childhood reminiscences and light on Brackett’s later life, including a stint in music publishing and a longer career as a Hollywood prop master. It also could have benefitted from a cleanup of the spelling, punctuation and grammar. Nevertheless, the book is a valuable account of an important time in American culture, and well worth reading.
January 3, 2017 § 1 Comment
Because I was out of town on New Year’s Day, I missed seeing the Hollywood Sign transformed to read “Hollyweed.” Nevertheless, I heard about it from neighbors as soon as I woke up, and shortly afterwards from every imaginable news outlet . While I was surprised that the prankster got away with it, the prank itself wasn’t new, as I knew from making my documentary “Under the Hollywood Sign.”* On New Year’s Day, 1976, less than two years before the completion of the current Sign, a prankster named Daniel Finegood did exactly the same thing to the orignal Hollywood Sign. Here’s a photo:
At the time of the first prank, the Sign was a crumbling, unguarded relic that anyone willing to climb to could access. Today, the rebuilt Sign is fenced, alarmed and off-limits to visitors without official permits. (Disclosure: I have filmed there twice, both times with permission.) Because the Sign stands below a militarized emergency communications center, trespassers are subject to arrest–or so the City claims. That whoever who transformed the Sign was able to escape notice, let alone arrest, is proof that the Sign’s alarm system failed or went unheeded. One wonders whether terrorists have taken note.
The Hollyweed incident capped off a particularly frenetic holiday week, when thousands of tourists walking in the street (itself a crime) on the sidewalk-less part of Beachwood Drive endangered themselves and trapped residents in and out of their homes. Beyond the gridlock, there’s everything that comes with uncontrolled crowds: trash, public urination, defecation and sex, trespassing, illegal parking, drinking and drug use. The Hollyweed prank was the last straw–and also the event that exposed the lies and double-dealing of Mayor Eric Garcetti and City Councilman David Ryu, who have long promised to enforce the law in Hollywoodland. They haven’t and they don’t, and now it’s indisputable.
*”Under the Hollywood Sign” is available on DVD and as a digital download from http://www.hopeandersonproductions.com
July 4, 2016 § 3 Comments
People who climb to the Hollywood Sign are fully aware they are trespassing: there are Do Not Enter Signs on the way up, as well as a gate. The Sign itself is equipped with sensors and loudspeakers, and police helicopters are deployed at the first sign of a breach. Even those who are at the Sign legally (as I have been on two occasions while filming) will be warned off before their time is up.
However much of a tourist attraction it is, the Hollywood Sign is also a high-security area, and has been for decades. After the September 11th attacks it was designated (along with City Hall, LAX and the Pacific Design Center) a high-risk target for terrorism. Yet in the years since, the consequences for trespassers have been all but nonexistent: climbers to the Sign usually haven’t been arrested, let alone fined, despite the fact that criminal penalties have long been in place.
Probably because former Councilmember Tom LaBonge, a notorious cheerleader for unruly Hollywood Sign tourism, is no longer around to influence law enforcement, things seem to be changing. After a particularly egregious trespasser climbed one of the letters of the Sign in May, he was arrested, jailed overnight and charged with trespass. At the end of June, he pled guilty and was sentenced to the maximum penalties under current law:
One year’s probation
Twenty days of Caltrans labor
$1,000.00 fine, with penalties of up to five times that amount
Restitution to the LAPD and Rec and Parks
A Stay-Away-from-the-Sign Order
The fact that the trespasser was a professional prankster with a large YouTube following might have influenced the judge’s decision in this case. However, Sarah Dusseault, Chief of Staff for Councilmember David Ryu, confirms that Ryu’s office is working with the City Attorney on stiffer penalties for future scofflaws.
May 20, 2016 § Leave a comment
The production was both a celebration of Shakespeare’s birth and a benefit for the Actors’ Fund, and starred such luminaries as Tyrone Power, Sr., Douglas Fairbanks, William Farnum and the young Mae Murray. A fuller account can be found in these posts:
Last night’s commemoration in Beachwood Village featured the local historian Greg Williams and the actor Stephen Fry, who read the “Friends, Romans, Countrymen” speech from Act III.
Because a fully built neighborhood now stands where the sets and stands were located, it’s a challenge to visualize the 1916 production, which featured chariot races, gladiator fights and dancing girls, as well as hundreds of extras recruited from Hollywood High School and Fairfax High School. But “Julius Caesar” was performed here to critical success, and the fact that it drew such a crowd should dispel the notion of early 20th century Los Angeles as a cultural backwater.
December 24, 2015 § Leave a comment
The photo above shows California holly (toyon) in bloom in the Hollywood Hills. Some believe this plant inspired the name Hollywood, although it was more likely a random choice by Daeida Wilcox, who met a woman on the cross-country train with a vacation house of that name. You can read more about California holly here: https://underthehollywoodsign.wordpress.com/2010/11/13/the-hills-are-alive-with-california-holly/
This is the seventh Christmas for Under the Hollywood Sign. As regular readers know, I began the blog to promote my documentary of the same name. That film, as well as my others, is now on sale at half price (that’s $12.50 for features; $6 for the short) on my website http://www.hopeandersonproductions.com The sale continues through the end of the month; please check it out.
December 11, 2015 § Leave a comment
Today I’m launching a new website to showcase my films, books and future projects. In celebration, I’m selling all my DVDs at half price for the rest of the year. If you’ve enjoyed this blog, please support the work that inspired it at http://www.hopeandersonproductions.com
Many thanks to Heath Woodward http://www.wdcreation.co.uk/ for building my website.