October 23, 2015 § 1 Comment
Regular readers might recall my previous French TV interview, which took place at the Hollywood Sign in 2012. Not only was I overcome with vertigo but the rough terrain did something to my ankle that has never resolved itself. Even during the interview I realized it was the last time I would rappel down Mt. Lee to the letter H, and I was only slightly sorry about it. https://underthehollywoodsign.wordpress.com/2012/06/29/going-back-to-the-hollywood-sign-this-time-as-an-interviewee/
Fortunately, this time the director, Manon Heurtel, was amenable to interviewing me at home, so after making myself presentable (sympathies to everyone who has to have camera-ready hair, makeup and clothes daily), I spent some time pretending to work at my computer before answering a lot of questions about the Hollywood Sign, its origins and its meaning.
As some have noticed, I’ve avoided writing about Hollywood Sign-related tourism issues for the past couple of years, but not because of email from readers hellbent on lighting the Sign at night. What did it was the howls of neighbors who disagreed with what I wrote, accusing me of trying to “speak for” them. (Note to those neighbors: write your own blog.) Nevertheless, I agreed to be interviewed because I wanted to show that the Hollywood Sign’s present status is a very recent, GPS-fueled phenomenon, and that whatever symbolism it possesses today appeared not only decades after its origins in 1923 but well after its reconstruction in 1978. I also wanted to explain the Sign’s beginnings as a billboard for Hollywoodland real estate, as well as its kinship to other municipal signs that, for lack of a mountain or evocative name, decorate water towers and hillsides across America, attracting no one.
No doubt all of this proved disappointing to Adrien Rappoport, my interviewer. “What do you feel when you see those letters?” he kept asking, as if I still might be capable of an epiphany about the Sign. Unfortunately, any charm I felt toward it when I moved here in 2005 faded long ago. Now that the Hollywood Sign is inextricably tied to noise, trash, bumper-to-bumper traffic and a complete lack of street parking on weekends, what I usually feel is annoyance. That emotion has its limits, so I moved on to the feelings of people who happily come here each day to pose for pictures. “I’m a star,” their expressions say, which explains the Hollywood Sign’s appeal: instead of making people feel small, it makes them feel big. Ultimately, the letters on Mt. Lee are a blank screen on which countless individual dreams are projected. As for the Sign’s meaning, it’s whatever people want it to be.
My interview on “Cinquante Minutes Inside” will be broadcast in France in February. Information about online availability to come.
May 20, 2015 § Leave a comment
What a pleasant surprise to find that David Ryu beat the supposedly unbeatable Carolyn Ramsay, and by a wide enough margin (1,600 votes) that the election was decided quickly. This morning the LA Times published an interesting map of the voter turnout http://graphics.latimes.com/la-cd4-results-map/ that shows why Ryu won: beyond his Koreatown stronghold, he won handily in Sherman Oaks and the eastern Hollywood Hills (where Beachwood Canyon is located). He also did well in Hollywood and sections of Hancock Park.
Carolyn Ramsay won Los Feliz (including the large blue swath that appears to be Griffith Park, in which two people constituted 100% of the vote), West Hollywood and the western Hollywood Hills, as well as her stronghold, the Windsor Square section of Hancock Park. I lived in Windsor Square for sixteen years and can’t recall a previous election in which the district didn’t choose the winner, which makes last night’s result all the more remarkable.
It’s a new day for all of us in CD4, but before we say farewell to the era of Tom LaBonge, I’d like to tell a story. A few months ago, one of my neighbors described the crowds of tourists walking alongside cars on the northern part of Beachwood Drive, which is narrow and has no sidewalks. When she said she was afraid someone would die, LaBonge responded, “People die all the time.” So do political ambitions, as yesterday’s election proves.
May 18, 2015 § Leave a comment
But there’s more to Tom LaBonge’s shenanigans than Hollywoodland’s travails. Recently it came to light that he diverted $1.6 million in funds for street and sidewalk repairs and community services into salaries for his ever-growing staff. He also spent lavishly on an Elvis Presley birthday party. You can read more about it here: http://www.losfelizledger.com/article/labonge-questioned-over-misuse-of-funds/
Outsiders will find it incredible that the frontrunner in tomorrow’s election is none other than Carolyn Ramsay, the former chief of staff for LaBonge who presided over most of the transfers of money. She is also his hand-picked successor. Happily, we have an alternative: David Ryu, a Community Health Director who is untainted by scandal and refreshingly–unlike the rest of the City Council–has promised not to take developers’ money. He is our best chance for positive change, which is why I am endorsing him today.
Polls are open from 7am to 8pm. For more information, please call (888) 873-1000.
January 7, 2015 § Leave a comment
Of course I don’t speak for them; I never said I did. My intent in starting Under the Hollywood Sign was to promote my writing and documentaries and to write about what interested me–namely film–and I was happy to return to it.
Although I plan to keep my vow, today I’m making an exception for the Hollywood Reporter’s article. Senior writer Gary Baum has done a masterful job in exploring the Hollywoodland’s predicament as an accidental, out-of-control tourist destination, presenting its history and present-day circumstances in a thoughtful and balanced way. As one of the many residents he interviewed, I can attest to his thoroughness and hard work. Here’s the link: http://www.hollywoodreporter.com/news/war-hollywood-sign-pits-wealthy-761385
December 24, 2014 § Leave a comment
Thanks for reading this blog, which I began nearly six years ago to promote my work; it has been a labor of love. Nevertheless, if a fraction of the hundreds of thousands who’ve read my posts and pages would watch my films or read my ebooks, I’d be much happier. The documentaries are available for sale (via DVD or Vimeo download) or rent (via Vimeo); the ebooks are available from Amazon, Barnes and Noble and other ebook sellers. All are linked through my website http://www.hopeandersonproductions.com
Under the Hollywood Sign
Peg Entwistle: The Life and Death of an Actress
The Jim Thompson House and Art Collection (available on DVD; downloadable in 2015)
Jim Thompson, Silk King (New edition coming on DVD and download in 2015)
Peg Entwistle and The Hollywood Sign
On Blade Runner: Four Essays
November 30, 2014 § Leave a comment
I’ve been immersed in a weeks-long repainting of my house’s interior, an ordeal I wouldn’t recommend if it weren’t necessary. Tomorrow the final phase begins: the repainting of the woodwork in my living room/office, so today I began the arduous process of clearing out all the cabinets. That’s when I found these two photos which were sent to me by Raiden Peterson, who I interviewed in 2007 my documentary Under the Hollywood Sign . (The documentary is available for sale on DVD at underthehollywoodsign.com and as a download for sale or rent from https://vimeo.com/ondemand/uths)
Raiden Peterson supervised the tear-down and reconstruction of the Hollywood Sign for Pacific Outdoor Electric, and documented his work throughout the process. The first photo was taken on August 7, 1978, the day before demolition began. The second was taken soon after the new Sign was completed on October 30, 1978. Thirty-six years later, many–perhaps the majority–of the visitors to the Hollywood Sign have no idea that the current Sign is not the original. These photos tell the story.
October 5, 2014 § Leave a comment
When I started researching Peg Entwistle’s life for my documentary Under the Hollywood Sign in 2006, the accurate public record of her life was tiny, consisting of three or four photos, her nationality at birth (English) and her suicide from the Hollywoodland Sign in 1932. The amount of erroneous information, however, was enormous. It included her career (she was not a wannabe starlet but a successful and accomplished Broadway actress); her background (she was brought up not in England but as a naturalized American in New York and Hollywood); her motivations for suicide (which were not as much professional as existential). Among the falsehoods was the assumption that Peg’s choice of the Hollywoodland Sign was a message to the film industry. It’s a great bit of symbolism, except that the Sign was nothing more than a billboard for the Hollywoodland tract at the time. Because I knew the history of the Sign and live along the route she took, it was obvious that Peg chose the Sign for two simple reasons: it was high enough to do the job and in 1932 so isolated that no one was likely to stop her. As I progressed in my research, the misinformation kept coming. Even the date on her death certificate was wrong–it appears as September 18th, the date her body was discovered. But because Peg went to the Sign on the evening of September 16th and could not have survived her fall for long, the date of her death was clearly September 16th.
Many of the lies about Peg came straight from Kenneth Anger’s Hollywood Babylon , whose chapter on her tragic end was accepted as fact until I set about correcting it. I identified the book’s half-nude portrait of Peg as a fake, which should have been obvious since the only feature the model shared with Peg was her platinum blond bob, a ubiquitous hairstyle in Hollywood at the time. Yet everyone, including her family, had taken Anger’s word for it.
As a way of telling Peg’s story, I made a short feature film about her fateful climb to the Sign called Peg Entwistle’s Last Walk, incorporating the footage into my documentary Under the Hollywood Sign. After I put the short on YouTube in 2007, it caught the attention of tens of thousands of viewers, including James Zeruk, Jr., who was researching her life for a book. James helped me to find Peg’s family, who generously made available a trove of playbills, photographs and documents about her life. Most importantly, I was able to interview Peg’s half-brother, Milt Entwistle, then 92 and the only living person with direct memory of her.
Under the Hollywood Signwas released in 2009. Peg Entwistle’s Last Walk remained on YouTube until this year, when I pulled it off to release it on DVD and Vimeo, along with her biography, as Peg Entwistle: The Life and Death of An Actress. http://hopeandersonproductions.com/?page_id=3361
Last year I published an ebook consisting of Entwistle family photos, the script of the biographical documentary and the production diary of Peg Entwistle’s Last Walk. http://www.amazon.com/Peg-Entwistle-The-Hollywood-Sign-ebook/dp/B00FSOGCV4
Zeruk’s book Peg Entwistle and the Hollywood Sign Suicide was also published last year.
Biopics can’t be entirely invented, and I can’t imagine whose work Tony Kaye will draw on for his script if not mine and James Zeruk’s. Because alternative secondary sources don’t exist and many of the primary sources can only be found in the Entwistle family’s archive, I await Kaye’s film, assuming it gets made, with considerable interest.