Holiday Gift Ideas From Under the Hollywood Sign

December 12, 2016 § Leave a comment

Back of the Hollywood Sign/Hope Anderson Productions

Back of the Hollywood Sign/Hope Anderson Productions

In 2009 I started this blog to promote my work as a documentary filmmaker and writer, the fruits of which are available as downloads and/or DVDs. If you’ve enjoyed my blog, I’m sure you’ll enjoy the work that inspired it.

DVDs will be shipped overseas as well as domestically. Please order soon to have them arrive in time for the holidays.

Documentaries on DVD:

JIM THOMPSON, SILK KING–Remastered 2015 Version with DVD extras http://www.hopeandersonproductions.com/dvds/

THE JIM THOMPSON HOUSE AND ART COLLECTION http://www.hopeandersonproductions.com/dvds/

UNDER THE HOLLYWOOD SIGN http://www.hopeandersonproductions.com/dvds/

PEG ENTWISTLE: THE LIFE AND DEATH OF AN ACTRESS http://www.hopeandersonproductions.com/dvds/

Documentaries on Vimeo:

JIM THOMPSON, SILK KING–2015 Version with DVD extras https://vimeo.com/ondemand/silkking?utm_source=email&utm_medium=vod-vod_publish_confirmation-201408&utm_campaign=10308&email_id=dm9kX3B1Ymxpc2hfY29uZmlybWF0aW9ufGYyYjY0OTMzYjc0MTVjM2Y4ODdiY2E5ZWJjNGJmM2I0NjUwfDI1Nzc3MzE3fDE0NDI5NDU5MDV8MTAz

UNDER THE HOLLYWOOD SIGN: https://vimeo.com/ondemand/uths

PEG ENTWISTLE: THE LIFE AND DEATH OF AN ACTRESS http://vimeo.com/ondemand/17445/100467934

e-Books:

ON “BLADE RUNNER”: FOUR ESSAYS https://www.amazon.com/Blade-Runner-Four-Essays-ebook/dp/B00E8M1GW2/ref=sr_1_1?s=books&ie=UTF8&qid=1400119149&sr=1-1&keywords=on+%22blade+runner%22+by+hope+anderson

PEG ENTWISTLE AND THE HOLLYWOOD SIGN https://www.amazon.com/Entwistle-Hollywood-Sign-Hope-Anderson-ebook/dp/B00FSOGCV4/ref=sr_1_sc_1?s=books&ie=UTF8&qid=1400119275&sr=1-1-spell&keywords=peg+entwistle+and+the+hollywoodsign+by+hope+anderson

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All About Jim Thompson (In Print and on Video)

June 29, 2016 § Leave a comment

Jim Thompson in the Living Room of his Bangkok House, circa 1967/Courtesy Jim Thompson Thai Silk Company

Jim Thompson in the Living Room of his Bangkok House, circa 1967/Courtesy Jim Thompson Thai Silk Company

A while ago I was interviewed by Martine Azoulai for her excellent article in Vanity Fair France on Jim Thompson, the subject of my first two documentaries. You can read it here: http://www.hopeandersonproductions.com/wp-content/uploads/2016/06/CO_JimThompson.pdf

If you’d like learn about this fascinating American in English, both “Jim Thompson, Silk King” and “The Jim Thompson House and Art Collection” are available on DVD on my website http://www.hopeandersonproductions.com/dvds/
“Jim Thompson, Silk King” is also available as a digital download http://www.hopeandersonproductions.com/downloads/

Related articles:

https://underthehollywoodsign.wordpress.com/2011/11/10/jim-thompsons-life-after-death/
https://underthehollywoodsign.wordpress.com/2015/07/29/jim-thompson-silk-king-newly-remastered-with-dvd-extras-is-for-sale/

My New Website, and A Holiday Sale on DVDs

December 11, 2015 § Leave a comment

IMG_4113Today I’m launching a new website to showcase my films, books and future projects. In celebration, I’m selling all my DVDs at half price for the rest of the year. If you’ve enjoyed this blog, please support the work that inspired it at http://www.hopeandersonproductions.com

Many thanks to Heath Woodward http://www.wdcreation.co.uk/ for building my website.

“Jim Thompson, Silk King,” Remastered with Extra Features, is Available on Vimeo

November 29, 2015 § Leave a comment

Jim Thompson in the Living Room of his Bangkok House, circa 1967/Courtesy Jim Thompson Thai Silk Company

Jim Thompson in the Living Room of his Bangkok House, circa 1967/Courtesy Jim Thompson Thai Silk Company

Previously I wrote about the new DVD edition of my first documentary, “Jim Thompson, Silk King.” https://underthehollywoodsign.wordpress.com/2015/07/29/jim-thompson-silk-king-newly-remastered-with-dvd-extras-is-for-sale/

It’s now for sale by download on Vimeo. Please go to https://vimeo.com/ondemand/silkking/128562922

The New Edition of “Jim Thompson, Silk King,” Is Now For Sale On Vimeo

September 22, 2015 § Leave a comment

For the past couple of years, I’ve been working on a new edition of my first film, “Jim Thompson, Silk King,” adding new music and narration. I’ve also created two new shorts to accompany it, one on Thompson’s U.S. architecture and the other on my experiences since completing the original in 2001. For those who are unfamiliar with Jim Thompson’s work and life story, here’s a brief introduction: https://underthehollywoodsign.wordpress.com/2011/11/10/jim-thompsons-life-after-death/

Although the DVD is for sale on my website http://hopeandersonproductions.com/?page_id=3361 those who prefer a download can now purchase the documentary at https://vimeo.com/ondemand/silkking?utm_source=email&utm_medium=vod-vod_publish_confirmation-201408&utm_campaign=10308&email_id=dm9kX3B1Ymxpc2hfY29uZmlybWF0aW9ufGYyYjY0OTMzYjc0MTVjM2Y4ODdiY2E5ZWJjNGJmM2I0NjUwfDI1Nzc3MzE3fDE0NDI5NDU5MDV8MTAzMDg%3D

I would like to thank my editor, Kate Johnson, for her work on all phases of “Jim Thompson, Silk King,” including much of the music as well as editing and graphic design.

I hope that Jim Thompson’s fascinating life and work will reach a wider audience than it did upon its initial release, which was not only shortly after 9/11 but before blogs, DVDs and streaming video.

Related article: https://underthehollywoodsign.wordpress.com/2015/07/29/jim-thompson-silk-king-newly-remastered-with-dvd-extras-is-for-sale/

“Jim Thompson, Silk King,” Newly Remastered with DVD Extras, Is For Sale

July 29, 2015 § 3 Comments

"Jim Thompson, Silk King"/Copyright 2015 Hope Anderson Productions

“Jim Thompson, Silk King”/Copyright 2015 Hope Anderson Productions

It was my first film, the culmination of years of planning and research as well as my reason for becoming a documentary filmmaker. “Jim Thompson, Silk King” is the story of an American architect-turned military officer who found himself in Thailand at the end of World War II and stayed. Within four years, he made an industry out of Thai Silk, transforming a local handicraft into an international success that lifted 10,000 or so impoverished weavers into prosperity. At the same time, he put Southeast Asian art on the world map by amassing a superb collection of sculpture, paintings, bronzes and china. A few years later, he rescued Thai vernacular architecture from extinction by designing a landmark house in the Bankrua section of Bangkok. (Today the Jim Thompson House is a museum, the second-most visited tourist destination in the Thai capital.) Thompson’s two decades of non-stop achievement in Thailand ended abruptly in 1967, when he vanished without a trace while walking in the Cameron Highlands of Malaysia. It’s an unsolved mystery that remains potent and troubling nearly fifty years later.

The 2015 edition of “Jim Thompson, Silk King” has new music and narration as well as two new DVD extras, one about Jim Thompson’s pre-war architecture in America and the other about my experiences since finishing the original version in 2001. Also included is my 2004 interview with his friend Catherine Bodenstein, a conversation that sheds considerable light on his disappearance.

To order the DVD, please go to http://hopeandersonproductions.com/?page_id=3361

The New Documentary, Part I: “Going Clear”

April 25, 2015 § 2 Comments

Going_Clear_Poster

In the late 90s, I took a UCLA Extension course in directing whose instructor declared, “There is no more objective truth in documentaries than [in] feature films.” I couldn’t have disagreed more. Documentary films–as opposed to the opinion piece or docu-drama–are the converse of feature films, with a distinct set of rules:

1. Don’t make things happen. Rather than forming an opinion and then trying to prove it, documentary filmmakers shoot first and organize later.
2. The script comes last. Any narration is based on the footage, as is the structure of the film. Documentaries are made in the editing room.
3. Don’t mess with the timeline. With the exception of interviews, events are shown in the order of occurrence.
4. No pictures, no story. All narration must be illustrated by images, preferably moving images, followed by still photos and illustrations. Re-enactments, if any, are a last resort.

Because I’ve followed these rules in all my documentaries, I’ve had to make hard choices, particularly where images are concerned. When Jim Thompson’s heir failed to follow through on his promise to let me use family photographs, I had to cut short the section on Jim’s youth. Later, a total lack of photographs of Peter the Hermit, the original Hollywood costumed character, led me to drop his story from “Under the Hollywood Sign.” In the same film, I reluctantly made a re-enactment of Peg Entwistle’s final hour because I lacked photos and artifacts. In both Peter and Peg’s cases, I later received a flood of photographs and information, some of which can be found on this blog, but in Peter’s case it came too late to be included in the film.

While I don’t regret my strict approach, it doesn’t jibe with recent trends. The preferred model for new documentaries is the three-act screenplay, which requires a dramatic arc. Stories unfold like police procedurals, with satisfactory conclusions, while unrecorded events are generously re-enacted, often in lurid slow-motion. All of this makes for compelling entertainment, but is it real?

Alex Gibney’s “Going Clear: Scientology and the Prison of Belief,” is a good example of the new approach. Essentially a filmed version of Lawrence Wright’s book of the same name, the film employs traditional elements–interviews, archival footage, B-roll of Scientology landmarks. But it is also loaded with re-enactments that tell L. Ron Hubbard’s story and those of his disaffected followers. So we see recreated auditing sessions using the E-Meter, typewriters, explanatory charts and lots and lots of stars (the planetary kind, though there are archivals of John Travolta and Tom Cruise as well).

Absolutely nothing is left to the viewer’s imagination. To illustrate his subjects’ retelling of Scientology’s creation myth, Gibney creates a colorful montage of 1950s Americana, spaceships, volcanoes and planets. And in case the term “Operating Thetan” proves too difficult to comprehend, he inserts a shot the words, neatly typed, on a piece of paper. The paper is still in the typewriter, one of many such shots, lest we forget that L. Ron Hubbard was a writer.

Gibney’s treatment of the interviews is curious. Though his interviewees–who include not only Wright but former Scientologists Paul Haggis, Jason Beghe and Spanky Taylor–are without exception eloquent, compelling and worthy of screen time, Gibney does everything possible not to show them talking. When not cutting to re-enactments, he cuts to graphics–anything to avoid screen time for a talking head. The result is an undermining of the interviewees, whose stories, after all, are the crux of “Going Clear.”

Next time: “The Jinx.”

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