July 10, 2014 § Leave a comment
My new release consists of two short films: a biographical documentary featuring interviews with Peg Entwistle’s surviving family, as well as previously unpublished photos and artifacts; and a silent black-and-white feature about her fateful walk to the Hollywood Sign in 1932. It’s available as a download for the first time; $4 to rent; $9 to buy.
Here’s the trailer:
For more about Peg Entwistle, my ebook Peg Entwistle and The Hollywood Sign is available at Amazon and other ebook sellers:
July 7, 2014 § 4 Comments
Recent decades have seen a gradual shift toward preservation, thanks largely to the Los Angeles Conservancy’s efforts. (Disclosure: A longtime Conservancy member, I have actively supported the landmarking of the Capitol Records Building and the Century Plaza Hotel, among others.) So it was a shock to learn in May that John Lautner’s Rehabilitation Center in Woodland Hills (now known as the Paul Weston Work Center) was about to be demolished by its new owner without so much as an Environmental Impact Report. After the Department of City Planning “concluded that the project site contained no potential historic and/or cultural resources”* it issued a Mitigated Negative Declaration (MND), clearing the way for demolition. Strangely, DCP did this without consulting its own Office of Historic Resources. In late May, letters and testimony in support of the Rehabilitation Center were presented at a hearing. A decision is pending. http://www.postperiodical.com/group-seeks-to-block-rehab-center-demolition/
John Lautner (1911-1994) trained under Frank Lloyd Wright at Taliesin, where his apprenticeship included carpentry and plumbing. Like Wright, he believed in “total concept” architecture, where the building is indivisible from the site. Though he was from Michigan, Lautner chose to settle and establish his practice in Los Angeles because its climate, both physical and philosophical, provided the ideal laboratory for his geometric forms and indoor-outdoor ethos. Like his mentor Wright, he was democratic, designing houses for middle-class clients as few prominent architects do today. As a result, his houses are scattered throughout Southern California, including two in Beachwood Canyon.
In the twenty years since his death, Lautner has been greatly celebrated for residential commissions such as the Chemosphere and the Wolff House, but his public buildings haven’t fared as well. In researching the Rehabilitation Center, I was stunned to learn that it is his second-to-last major surviving non-residential commission in Los Angeles County. (The other, Los Feliz’s Mid-Town School, is home to Lycée of Los Angeles.)
If the County allowed the Rehabilitation Center to be razed, Lautner’s public legacy would be halved, an odd fate for a man whose architecture is synonymous with mid-century Los Angeles. In that case, the most publicly accessible of his projects would probably be the glass addition of the Beachwood Market. Built in 1954, it remains so modern-looking that City building officials who inspected it after the 1994 Northridge Earthquake assumed that it was new.
*Los Angeles Conservancy mailing, 5/21/14