The Japanese Masterpiece at the Heart of “Breaking Bad”: Akira Kurosawa’s “Ikiru”
January 26, 2014 § 3 Comments
From mid-October to mid-December of last year, I did little else in the evenings but watch “Breaking Bad”–all sixty-two episodes in two electrifying months. During that time, I stopped reading books and rarely went out, the better to devote myself to the sprawling splendor of Vince Gilligan’s epic. To say that it was a compelling experience doesn’t do it justice: “Breaking Bad” dominated my thoughts, conversations and dreams. I loved it, although every so often I’d have to take a night or two off in order to get some sleep.
I wasn’t far into the first episode when I experienced the shock of recognition for an earlier work that I know very well. “Ikiru,” (“To Live”) is a 1952 Kurosawa classic about a colorless bureaucrat’s effort to redeem his life in the face of a brick wall diagnosis of stomach cancer. The film’s echoes are everywhere in “Breaking Bad,” not only in the two protagonists’ existential struggles, but in their relationships with disapproving, uncomprehending families and their formation of new and unlikely alliances with strangers. Kanji Watanabe and Walter White even signal their inner transformations in the same outward manner: by purchasing and wearing surprising new hats.
Despite the film and TV program’s very different cultures and time periods (post-Occupation Tokyo versus contemporary Albuquerque), the similarities between them are too close and numerous to be coincidental. So I wasn’t surprised to learn that Vince Gilligan, the creator of “Breaking Bad,” confirmed the “Ikiru” connection in an interview: http://www.npr.org/2011/09/19/140111200/breaking-bad-vince-gilligan-on-meth-and-morals?utm_medium=Email&utm_source=share&utm_campaign=
My exploration of “Ikiru,” “Breaking Bad,” and their protagonists can be found in Pages: